[INTERVIEW]Moving mountains, step by step
Q. Did the fact that it took place during the Olympics affect interest in the festival?
A. Actually, the artists, students and visitors I met said this year’s program was the most successful yet. About 40,000 people attended the three-week run this year [compared to 35,000 last year]. Also, a record number of students participated in the classes this year.
How are you going to make the festival an internationally recognized event?
The area that we’ve focused on the most since the start is the content - the quality of the concerts, school and management. That said, I consider it extremely important to listen to feedback from the participants, who have been to world-renowned music festivals. In the future, we hope to increase the number of programs without sacrificing the quality achieved.
Speaking of future plans, you’ve got several new projects in the pipeline, such as a new concert hall. What is your greatest concern for the future?
The hardest task will be contributing to the development of our country and culture, like other prestigious international music festivals. But if we maintain the high quality of our music, the new hall will help us gain international recognition.
More in Arts & Design
Museums and theaters set to reopen on Tuesday
Kim Young-taek, 'the master of Korean pen art,' dies age 76
Chang Ucchin retrospective
Rare exhibition sheds light on foreign researchers of Korean art
Book on Korean art master of traditional painting to be released in U.S. this year