Two films tied at top before Palme d’Or pickCANNES, France - Canadian David Cronenberg presented a director’s take on a Hollywood infected by taboo sex and backstabbing, plus a few ghosts, while Tommy Lee Jones turned the Western around for a perilous eastward trek with madwomen at Cannes on Sunday.
Jones’s “The Homesman” and Cronenberg’s “Maps to the Stars” screened the same day that Sylvester Stallone, Arnold Schwarzenegger, Mel Gibson, Harrison Ford and other cast members from “The Expendables 3” rode in tanks in the Mediterranean seaside town, lending star power to the festival.
“Crash” and “The Fly” director Cronenberg’s look behind the tinsel of Hollywood was the second competition film shown on the fifth day of the 12-day festival, giving it a heavily North American flavor.
One critic for a major trade publication, who did not want to be quoted by name before a review appeared in print, said Cronenberg’s film was “very disappointing and very uneven.” It stars “Twilight” idol Robert Pattinson as a Hollywood wannabe working as a chauffeur and Mia Wasikowska as a schizophrenic.
The Hollywood Reporter trade publication called Jones’s film “an absorbing, melancholy look at the hard lot of women in the Old West.” It co-stars Jones and two-time Oscar best-actress winner Hilary Swank as a team escorting the madwomen.
The Cannes awards, including the top Palme d’Or prize for best picture at the world’s most prestigious film festival, will be given on May 24.
Of the main competition films shown since the festival opened on Wednesday, Turkish director Nuri Bilge Ceylan’s “Winter Sleep” and British director Mike Leigh’s “Mr Turner” are tied with the highest rankings in a compilation of opinions of international critics by Screen International magazine. Both get ratings of 3.6 stars out of a possible 4.
“Maps to the Stars,” with a screenplay by Los Angeles writer and actor Bruce Wagner, features a cast of twisted characters. They include a child actor recovering from a drug habit, his schizophrenic sister, their ambitious parents who have a dark secret, and a has-been actress who is desperate to recreate a role played by her mother, who died in a fire.
Ghosts of the actress’s mother, a drowned child and a girl who died in a hospital shortly after a visit from the child actor give the film a supernatural patina, suggesting that Hollywood is not just a city of dreams but of nightmares.
Little more can be revealed that would not be a spoiler.
Based on a novel by Glendon Swarthout, “The Homesman” includes the usual gunfights and hostile Indians, though at a press conference Jones rejected the idea that the portrayal of Native Americans was a “stereotype.”
The people playing the Indians were “all Native Americans, they were all of Pueblo descent,” Jones said. Even the costumes they wore were thoroughly researched to help them look like the hostile Pawnees they portray in the movie.
“I’m not ashamed of the fact that they were considered by our characters to be potentially homicidal. We were not bending the truth at all or stereotyping anybody,” he said.
What is unusual is the stark portrayal of the extreme hardships faced by young women trying to survive, raise families and cope with extreme weather and disease. One of the madwomen had three babies die of diphtheria.
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