Artist sculpts wearable armor for protection

Home > Culture > Arts & Design

print dictionary print

Artist sculpts wearable armor for protection

NEW YORK - Linda Stein wants people to armor themselves in her art.

She creates full-length wearable sculptures embedded with all manner of found objects, including driftwood, engraving plates, steel wire, zippers, pebbles and comic book imagery of superheroes.

Her idea grew out of her sense of vulnerability after the Sept. 11, 2001 terror attacks, with the aim of giving wearers a sense of empowerment and protection. Her targets are any form of institutionalized oppression, such as sexism, racism and homophobia.

She also designs “bullyproof vests,’’ made from a patchwork of fabrics featuring such female symbols as the Japanese anime character Princess Mononoke and the comic book hero Wonder Woman.

At a recent “body swapping’’ at her studio in Manhattan’s Tribeca neighborhood, she invited a group of professional women to try on what she calls sculptural avatars, which can each weigh from 7 pounds to 20 pounds. Stein asked the wearers to imagine that they are trying on another skin “to get in touch with how their bodies feel.’’

“It’s like putting on a whole new persona,’’ said Rinku Sen, who struck a “Rocky’’ pose in front of a mirror in a “Wonder Woman’’ torso made of acrylicized paper. Another participant, Dana Sparling, donned a heavier metal creation she said felt like a “shield between me and the world.’’

Stein explained that she features Wonder Woman prominently in the works because “she never killed.’’ “She protected the weak and downtrodden wearing her bracelets and her black lasso. It’s very hard to find a female superhero that’s not violent and isn’t a total sex object,’’ Stein said.

The representation of gender and sexual identity is a long-standing tradition in activist art that dates back to the feminist movement, said Muhlenberg College art history professor Margo Hobbs. She said Stein’s work is particularly powerful because “it works on the viewer’s body to bring about a really visceral rather than an intellectual experience.’’

Reminiscent of classical torsos, a group of her sculptures is making the rounds at 24 universities, galleries and museums across the United States in what is a seven-year traveling exhibition, “The Fluidity of Gender,” that runs through 2017.


Log in to Twitter or Facebook account to connect
with the Korea JoongAng Daily
help-image Social comment?
lock icon

To write comments, please log in to one of the accounts.

Standards Board Policy (0/250자)

What’s Popular Now