Art world eyes ‘Marketplace’: As K Auction prepares to sell Park Soo-keun’s painting, some think it may break records
K Auction, a major local auction house, said last week it would put Park’s 1961 oil painting “People in the Marketplace” up for sale on Nov. 21 at its headquarters in southern Seoul.
The painting depicts women selling goods in a marketplace, which is one of Park’s favorite subjects. He focused on depicting the everyday life of ordinary Korean people, in particular women forced to work outside the home to support their families in the aftermath of the Korean War (1950-53).
The painting is also in Park’s signature style - the colors remind viewers of soil and stones and the unique texture has the feel of granite, the main material used for traditional Korean stone art.
That texture is one reason why he did not leave many works behind. To create texture, he used both brushes and knives and applied heavy layers of oil paint again and again on each painting, a time intensive endeavor.
“Our ancient stone works such as the pagodas and statues of Buddha are a source of exquisite beauty that cannot be described in words. I am inspired by this beauty,” Park once said.
Because of the scarcity of Park’s paintings and because of the warm atmosphere of humanity the paintings carry even though they depict ordinary people living in the hardest times of Korea’s modern history, Park has been one of the most sought-after artists in the Korean art market.
According to K Auction, the estimated price of “People in the Marketplace” is between 4 billion won ($3.5 million) and 5.5 billion won.
The highest price ever paid for a work by Park was 4.52 billion won for “Washing Place,” which was auctioned in 2007. It was the highest-ever price for Korean modern art at the time and is now ranked ninth.
The painting “Washing Place” was at the center of a forgery controversy and after two years of legal battles, the Seoul Central District Court ruled in 2009 that the work was authentic, based on reviews by the Korean Art Appraisal Board.
Now, Kim Whanki (1913-74) is the artist behind eight of the top ten most expensive Korean modern art pieces ever auctioned. Kim’s 1972 abstract painting “03-II-72 #220” fetched 62 million Hong Kong dollars ($7.9 million) in May at Seoul Auction’s sale at the Grand Hyatt Hong Kong.
The large abstract paintings filled with dots created by Kim during his New York period (1963-74), including “03-II-72 #220,” are regarded by art historians as the peak of the artist’s oeuvre.
K Auction will also offer Kim’s paintings including a New-York-era dot painting “22-X-73 #325” (1973), estimated at 3 billion to 5 billion won, and earlier paintings, at the upcoming sale.
The auction house said it will put a total of 203 pieces of art worth 21.1 billion won (based on the lower limits of the works’ estimate prices) up for the sale.
Meanwhile, Seoul Auction, the country’s largest art auction house, will offer works by Western art stars like Andy Warhol and Louise Bourgeois at its Hong Kong sale scheduled for Nov. 25.
“As we found the biggest buyer of Western art is now Asian collectors, we decided to focus on Western art masters for this Hong Kong sale,” said Lee Ok-kyung, CEO and vice chairwoman of Seoul Auction.
A total of 54 pieces valued at $24.2 million will be offered in the auction at the Grand Hyatt Hong Kong.
Among the highlights are Warhol’s work “Self Portrait” (1986), estimated to fetch between $2 million to $3.2 million, and Bourgeois’s marble sculpture “Cleavage” (1991), which has the same estimate price.
BY MOON SO-YOUNG [firstname.lastname@example.org]
with the Korea JoongAng Daily
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