Korean International Ceramic Biennale 2021 to be held on and offline

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Korean International Ceramic Biennale 2021 to be held on and offline

″Blue and White Porcelain Dish with Chestnut Design″ from the Joseon Dynasty [KOREA CERAMIC FOUNDATION]

″Blue and White Porcelain Dish with Chestnut Design″ from the Joseon Dynasty [KOREA CERAMIC FOUNDATION]

 
The Korean International Ceramic Biennale 2021 (KICB 2021), held biannually in Gyeonggi, is set to open its doors for the 11th time from Oct. 1 to Nov. 28.
 
Due to the pandemic, the entire event will be available online (www.kicb.or.kr/) as well as at the offline venues of Gyeonggi Museum of Contemporary Ceramic Art in Icheon, Gyeonggi Museum of Ceramic Design in Yeoju and Gyeonggi Ceramic Museum in Gwangju.
 
This year’s biennale is under the theme “Re:Start,” with the purpose of reflecting on ceramic artworks’ meanings and their role in the pandemic era.
 
In a press conference held Monday, when asked about the role of ceramics in post-Covid-19 era, Chang Ki-hoon, director of the Gyeonggi Ceramic Museum, stressed the importance of “recovering the humanity of ceramics.”
 
″Tulpentoren″ by Corien Ridderikhof [KOREA CERAMIC FOUNDATION]

″Tulpentoren″ by Corien Ridderikhof [KOREA CERAMIC FOUNDATION]

 
Each city of the biennale has its own special exhibition. In Icheon, a guest country exhibition titled “A Story Beyond the Sea: The Dutch Ceramics Now” celebrates the 60th anniversary of diplomatic ties between Korea and the Netherlands. It explores Dutch artists’ creative stance on contemporary ceramic arts and how the artworks have changed during the past 60 years.
 
“Tulpentoren,” which roughly translates to “tulip towers,” by ceramist Corien Ridderikhoff, is on display, depicting blue-and-white geometric patterns on porcelain slabs.
 
A special exhibition in Yeoju, “Recovery – Draw a Space” shows works by artists who participated in the Gyeonggi Ceramics Online Fair, aiming to express different aspects of lifestyles, such as dietary habits, through ceramic crafts like tableware. Visitors will be able to interact with the craftworks on display, and even purchase them online through Naver SmartStore.
 
Tableware pieces by Yoo Cheon-uk and Kang Hyun-kyung [KOREA CERAMIC FOUNDATION]

Tableware pieces by Yoo Cheon-uk and Kang Hyun-kyung [KOREA CERAMIC FOUNDATION]

 
Ceramists Hwang Dong-hwan, Yoo Cheon-uk, Kang Hyun-kyung and Cho Sin-hyun have designed unique ceramic pieces like mugs, coffee cups and plates.
 
Finally, the Gwangju exhibit, “Cobalt Blue: Ceramics favored by Joseon Scholars,” dives into ceramics of the Joseon Dynasty (1392-1910). Cobalt blue refers to the blue paint on white porcelain that was popular during late Joseon, known as cheonghwa baekja. This exhibition is divided into two sections: “Pure Enjoyment of Scholars’ Accoutrements” and “Decorating with Motifs Symbolic of Honor, Wealth, and Hope.” The former focuses on Joseon scholars’ calligraphy or paintings that are drawn on porcelain, and the latter digs into the symbolic meanings of patterns and the lives of Joseon noblemen.
 
″Blue and White Porcelain Bottle with Plum Blossom and Bird Design″ from the Joseon Dynasty [KOREA CERAMIC FOUNDATION]

″Blue and White Porcelain Bottle with Plum Blossom and Bird Design″ from the Joseon Dynasty [KOREA CERAMIC FOUNDATION]

 
The “Cobalt Blue” exhibition extends into another one online, named “Cobalt Blue: Dyed for the World of Art.” The online version focuses on the cultural history of the cheonghwa baekja and the color blue in art, presenting many different images and interview footage from artists and experts.
 
Admission is free, but reservations are a must (www.kicb.or.kr/visit). The biennale is open every day from 10 a.m. to 6 p.m. except Mondays.
 

BY SHIN MIN-HEE [shin.minhee@joongang.co.kr]
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