Revealing the drawings behind great masterpieces : Works that have rarely left famed French art museum come to Korea
Known as the archive of 19th century impressionist paintings, Musee d’Orsay keeps a wide range of world-famous art pieces, almost giving a feeling of stepping inside art history books as one strolls from one room to another.
Around 130 masterpieces of the era kept at the renowned art house arrived this year, with some of the pieces having taken decades to step outside the museum’s walls.
“This time, we brought many art pieces that have remained inside the museum for a long time,” said Guy Cogeval, president of Musee d’Orsay. “We would like to share the value of these works with Korean visitors.”
“Musee d’Orsay is a museum where some of the most important drawings are kept,” said Xavier Rey, chief curator at the Orsay. “Due to preservation issues, drawing works are usually strictly limited when it comes to bringing them abroad, but this time, we brought over some of the most important drawing pieces kept at the Orsay.”
While it is uncommon for museums to put such delicate drawing works on permanent display, let alone in an overseas display, the exhibition aims at shedding light on not only the completed artwork, but also the process of creating it. This is also the Orsay’s first time holding an exhibition where they present both a masterpiece and its drawings together, displaying the relationship between the separate artworks.
“Holding an overseas display of drawings is very notable in that after this exhibition, no one will be able to lay eyes on these pieces for the next few years,” said Leila Jarbouai, drawings curator at the Orsay. “After displaying them, the drawing pieces undergo years of preservation in storage where all lights are blocked out.”
Along with Millet’s paintings and drawings, visitors may also take a look at the drawing works of Edgar Degas, who was deeply immersed in depicting feminine body movements made through the art of dancing. Although often quoted as one of the founders of impressionism, Degas was also a realist, which he preferred to be known as, who put a lot effort into depicting bodily curves and clothing textures as vividly as possible. A quiet walk through these drawings will guide visitors in following Degas’ efforts to his lively depictions of the dancers.
Other recognized pieces visiting Seoul include “The Siesta” by Vincent Van Gogh, which is paying its first visit to a non-European nation in decades, “Breton Peasant Women” by Paul Gauguin, and “Girls at the Piano” by Pierre Auguste Renoir.”
The exhibit “Musee d’Orsay” lasts until March 5, 2017 at Hangaram Art Museum, Seoul Arts Center in Seocho District, southern Seoul.
BY SHON JI-HYE [firstname.lastname@example.org]
The exhibit opens from 11 a.m. to 7 p.m. from November 2016 to February 2017; and from 11 a.m. to 8 p.m. in October and March. It closes on Mondays of the last week of each month (Oct. 31, Nov. 28, Dec. 26, Feb. 27).
Tickets for adults are 13,000 won ($11).
For more information, call (02) 325-1077 or go to www.sac.or.kr