Venice Film Fest offers grit, glamour and ClooneyThe Venice Film Festival is kicking off the fall cinema season with searing drama, serious glamour and a crop of new movies vying for attention, awards and acclaim.
Thanks to its late-summer time slot, just ahead of rivals in Telluride and Toronto, the world’s oldest cinema festival has become a key showcase for films hoping to dominate Hollywood’s awards season.
In recent years, Venice has been a launch-pad for Oscar winners including “Gravity,” “Birdman,” “Spotlight” and “La La Land.”
This year’s edition opened Wednesday with Alexander Payne’s “Downsizing,” a science fiction-tinged drama starring Matt Damon as a man who hopes to minimize his problems by shrinking himself.
Other films competing for the festival’s top prize, the Golden Lion, include the George Clooney-directed heist movie “Suburbicon”; Guillermo del Toro’s fantastical “The Shape of Water;” Darren Aronofsky’s secrecy-shrouded thriller “Mother!”; and Martin McDonagh’s dark comedy “Three Billboards Outside Ebbing, Missouri.”
Here’s what to watch for at the 74th Venice Film Festival, which runs to Sept. 9.
Festival director Alberto Barbera says this year’s red-carpet roster is “the biggest list (of celebrities) we’ve had in years.”
Among the stars who will be whisked by boat to Venice’s Lido island for premieres is Clooney, a festival favorite who has a house on nearby Lake Como.
He’ll likely be joined by pal Damon, who stars in both “Suburbicon” and “Downsizing,” which also features Kristen Wiig. Jennifer Lawrence is expected for the much-anticipated “Mother!”, which also stars Javier Bardem. The Spanish star should also be on hand alongside Penelope Cruz for the drug-lord biopic “Loving Pablo.”
Several films in the lineup tackle the conflicts and divisions convulsing the world.
Chinese artist Ai Weiwei’s documentary “Human Flow” travels to 23 countries as it tries to put a human face on the vast migrations unfolding around the world. Paul Schrader, who wrote “Taxi Driver,” directs “First Reformed,” featuring Ethan Hawke as a minister wrestling with his faith and the specter of environmental catastrophe.
Israel’s Samuel Moaz, director of acclaimed war drama “Lebanon,” returns with “Foxtrot,” another story of conflict and loss. From China, Vivian Qu’s “Angels Wear White” centers on sexual assault in a small provincial town. It hasn’t escaped comment that Qu is the only female director among 21 filmmakers in the festival’s main competition.
A changing industry
Technology and economics are transforming the film industry, and festivals like Venice are working hard to keep up.
One change this year is the festival’s first virtual reality competition, featuring 22 films and installations judged by a jury led by director John Landis. Barbera said VR, until recently considered a gimmick, looked set to “become one of the most colossal investments” for the cultural industry.