Former BIFF executive director reinstated
BIFF convened an extraordinary plenary session and named Lee Yong-kwan, a former executive director, as chairman of the festival’s board of directors.
Jeon Yang-jun, a former deputy executive director, was appointed as the new executive director.
Lee took office as the executive director in 2010 but resigned from the post in February 2016 after years of conflict with the Busan metropolitan government over the latter’s “municipal interference” in the festival’s artistic freedom.
The conservative Busan Mayor Suh Byoung-soo, who was then BIFF organizing committee chairman, allegedly tried to block the screening of a documentary film critical of the Park Geun-hye administration’s handling of the country’s worst-ever ferry disaster, which occurred in 2014.
The screening led to an unprecedented audit into then-festival director Lee, and he was later convicted of embezzlement.
The film circle has demanded the restoration of the former director whom they consider the symbol of the former Park administration’s oppression of the festival’s freedom.
Three film industry associations, led by the Directors Guild of Korea and representing about 300 movie directors, have boycotted the annual festival for two consecutive years. They demanded an apology from Suh and Lee’s reinstatement.
“As the former director has returned to the festival, there could be some changes like ending the boycott,” Lee Sang-gil, vice chairman of the Federation of Korean Movie Workers’ Union, told Yonhap News Agency by phone. “Since the apology of the Busan mayor also was part of the condition for our return, we will make public our official position sooner or later.”
“BIFF seems to have made the easiest decision,” a film industry official said on condition of anonymity. “I hope Lee and Jeon will stay in tune with each other to settle the dispute.” Yonhap
More in Movies
2020.10.22 Now Playing
'Paper Flower' takes on death without a hint of drama
Seo Bok big-screen release set for Dec. 2
Lee Choong-hyun's thriller set to premiere worldwide on Netflix on Nov. 27
How Esom's latest film taught her to love herself