Festivals devoted to documentaries
Documentaries have long been considered minor players in Korea’s film industry, offering scant competition for television dramas or blockbuster films. Although Korean filmmakers have produced high quality documentaries, it was hard for the general public to watch them because so few venues were willing to take the risk and screen them.
But after low-budget documentaries, such as “Old Partner” (2008) and “Tears of the Amazon” (2010), garnered big returns, festivals devoted to the form started popping up around the country.
This month and next, the EBS International Documentary Festival and the Korean International Documentary Festival will give the television and motion picture industries a run for their money with a long list of engaging documentary films from around the world.
The 7th EBS International Documentary Festival kicked off on Monday with 49 documentary films from 27 countries.
“A total of 129 films were submitted to the inaugural EIDF back in 2004 but this year we had 536 submissions, which is a remarkable increase in quality and quantity,” said EBS President Kwak Duk-hoon in the festival’s opening ceremony on Monday.
The biggest advantage of the EIDF is that you don’t have to leave home to watch the films in the festival. Seven to eight documentaries are shown on the Educational Broadcasting System every day during the seven-day festival. In addition, some of the full-length documentaries are screened at selected venues, including EBS Space in Dogok-dong, southern Seoul, and Art House Momo in Daehyun-dong, central Seoul. Tickets to films at Art House Momo are 2,000 won ($1.67); tickets for films at other venues are free.
Films are screened in eight categories, including Award-winning International Documentaries, Asian Documentaries and Beautiful Shorts.
The documentary section has two must-see features: “The Cove,” which captures the slaughter of dolphins in the area around a small Japanese village, and “Man on Wire,” which depicts French artist Philippe Petit’s daring walk across a wire strung between the twin towers of the World Trade Center in 1974.
The Asian Documentaries section includes films about a family evicted from their home in the wake of a development project in Korea, the aftermath of cyclone Nargis in Myanmar, a young boy struggling with questions of gender in Bangladesh and boys balancing baseball and schoolwork in Taiwan.
Next month, 85 short and full-length documentaries from 35 countries will be shown during the five-day 2nd Korean International Documentary Festival - which is often called the DMZ International Documentary Festival - from Sept. 9 to 13.
Based on multiple themes of peace, family and the environment, this festival distinguishes itself with its unique screening venue in Paju, Gyeonggi, just south of the Demilitarized Zone - an iconic place for many Koreans.
To mark the 60th anniversary of the Korean War, festival organizers chose Japanese filmmaker Kazuhiro Soda’s 75-minute film titled “Peace,” which depicts the lives of ordinary people living in Okayama to show the legacy of Japanese militarism.
In the festival’s competition segment, 13 documentaries from Asia, Europe and North America will compete for a grand prize of 1.5 million won and the winning film will be screened at the festival’s closing on Sept. 13.
In a separate competition, eight Korean documentaries will vie for the title of best Korean documentary.
In addition to the screenings, the festival has planned a series of related activities. One of the more unique offerings is the I Love DMZ Docu Train. Departing from Busan and Daegu, the package tour includes train tickets to Paju, tickets for the film festival, lunch and a tour of the DMZ area.
*For more information about the EIDF, visit www.eidf.org. For details about the DMZ documentary festival, visit www.dmzdocs.com.
By Sung So-young [firstname.lastname@example.org]
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