Ballets take steps to draw Korean fans
In an attempt to popularize ballet in Korea, large and small ballet troupes and dance companies have been holding performances with directors’ commentaries so that more people can enjoy ballet. The Korea National Ballet has taken the lead in holding ballet performances accompanied with commentaries to “lower the barrier for the public to enjoy this classical dance.”
Noticing a slight change in the public’s attitude toward ballet, some ballet companies and dance troupes joined hands and established the annual Ballet Festival Korea in 2011, which has been making efforts to “break the public conception that ballet is an expensive culture and to be a little more closer to the public,” according to its organizing committee.
Marking its third year, the festival, co-organized by the Seoul Arts Center, kicked off Saturday at the arts center’s various venues in southern Seoul and is scheduled to provide numerous performances for free.
For example, the Lee Won Guk Ballet Company, founded by Lee Won-guk, former principal dancer of the Korea National Ballet, will stage a free performance with commentaries by Lee at 6 p.m. at the Shinsegae Square Outdoor Stage within the arts center. The company will also perform “Mahler’s Symphony No. 5,” which is set to Mahler’s fifth symphony, which recounts the love story of the Austrian composer and his wife, Alma.
Meanwhile, the country’s two major ballet companies - the Korea National Ballet and Universal Ballet - have been attracting audiences with highly acclaimed works. During the festival, the Korea National Ballet will stage Tchaikovsky’s “Mystery of Life and Death” from June 28 to 30 at the Opera Theater.
According to the Korea National Ballet, “What this ballet truly is about is the internal world of Tchaikovsky, the pain of composing music and his life oscillating between the reality and delusion.” There are four performances over three days starting from 7:30 p.m. performance on Friday.
The Universal Ballet will end the festival with its popular repertoire, “Onegin.” This ballet, which is choreographed by South African John Cranko, based on a novel by Alexander Pushkin, is in three acts and is considered one of the finest dramatic ballets produced in the 20th century. The ballet premiered in 1965 at the Stuttgart Ballet.
“The drama in the production demands much of its dancers, in addition to polished technique and intricate partnering, the poignancy and heartbreak in the love scenes require well-honed acting ability,” said Julia Moon, general director of the Universal Ballet, adding that this is why it’ll be a great piece to let down the curtain for this year’s festival.
The Ballet Festival Korea will also show classic repertoires loved by the public for a long time and creative ballet dancing choreographed by 15 companies, from a national organization to a choreographer including Shin Hyeon-Ji B Project,
Wise Ballet Theater, Choi Seong-yi Dance Project(CSDP), Jung Hyeong-Il Ballet Creative, Kim Geung-Su Ballet Theater, Moo Ballet Theater, SEO Ballet Theater, Shin Eun-Seok Ss Ballet Theater, Seoul Ballet Theatre, Baek Yeong-Tae Ballet Lyubov, Shin Mu-Seop Dance Theater, Lee Won-Guk Ballet Theater, Kim Yong-Geol Dance Theater, Korea National Ballet and Universal Ballet Company.
“La Chunhyang,” by Kim Geung Soo Ballet Theater, a contemporary ballet troupe is also one of the anticipated performances during the festival. Chunhyang is the heroine of one of the country’s best-known traditional love stories. Based on the heroine, “La Chunhyang” was one of the works that represented Korea during cultural festivities held on the sidelines of the 2012 London Olympic Games. The performance is set to be staged from June 12 to 13 at the Jayu Theater.
By Yim Seung-hye [firstname.lastname@example.org]
with the Korea JoongAng Daily
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