Kevin Hart’s ‘The Upside’ unseats ‘Aquaman’ in debut weekendKevin Hart isn’t hosting the Oscars, but he’s got a No. 1 movie. “The Upside,” starring Hart and Bryan Cranston, surpassed expectations to open with $19.6 million in ticket sales, according to studio estimates Sunday.
The strong performance of “The Upside” pushed “Aquaman” to second after the aquatic superhero’s three-week reign atop the North American box office. Warner Bros.’ “Aquaman” still passed $1 billion worldwide over the weekend, becoming the first DC Comics release to reach that mark since 2012’s “The Dark Knight Rises.”
“The Upside” opened on the heels of several weeks of Oscar drama surrounding Hart. The comedian last month withdrew from hosting the Academy Awards , just days after being named emcee, when he initially refused to apologize for years-old homophobic tweets.
On the publicity trail for “The Upside,” Hart repeatedly dismissed the Oscar controversy, saying he was “over it,” while flirting with the possibility of returning as Oscar host - something for which talk-show host Ellen DeGeneres, in particular, advocated.
Whether all that attention helped raise the profile of “The Upside,” a remake of the 2012 French comedy “The Intouchables,” was difficult to extrapolate, though it surely didn’t hurt. Ticket sales were almost twice industry forecasts. The film received poor reviews (40 percent fresh on Rotten Tomatoes) and was slammed by some critics for trading on the kind of gay panic humor that Hart was forced to apologize for.
Neil Burger’s film, which cost about $35 million to make, stars Hart as an ex-con who becomes a caretaker for a physically disabled author (Cranston). It was originally to be distributed by the Weinstein Company. Harvey Weinstein premiered the film at the 2017 Toronto International Film Festival just weeks before the many allegations of sexual harassment surfaced against the movie mogul.
STX Entertainment picked up the movie, which on Sunday handed the five-year-old start-up studio its first No. 1 release at the box office. Launched in 2014 with a mission to make the kind of mid-budgeted, star-driven films the studios have increasingly abandoned, STX has had some successes (“Bad Moms,” “The Foreigner,” the critically acclaimed “The Edge of Seventeen”) but has often struggled to find breakout hits. Last year’s “The Happytime Murders,” with Melissa McCarthy, was one of the 2017’s most glaring flops.
Fogelson called the No. 1 result a symbol of larger success for STX’s business model.
“We have been profitable on the overwhelming majority of our movies for more than a year and a half. No one needs to cry for us, but I don’t think the company gets credit for that because the way we’re doing that is so different from how traditional Hollywood has operated,” said Fogelson. “This result is just an exclamation point on the fact that this can work not just in an STX way but in an old Hollywood way, as well.”